IMGpapers 1976–79

Newspapers of the International Marxist Group and its forerunners, 1976–79

Glad to be Gay

Socialist Challenge No. 38, 23 March 1978 · p. 15 of the scan · 254 words

The scan: sc-n38-mar-23-1978.pdf (PDF, Marxists Internet Archive, opens at this page)

Uncorrected machine reading. This text was read by machine (Apple Vision OCR) from a scan of a newspaper page, and the page was cut into articles by machine, at the headlines found by their type size. Nothing has been corrected: expect misread words, text from a neighbouring article, and titles that are the machine reading of the headline, some of them only fragments. Quote from the scan, not from this page.
How this article was cut and titled: headline found by type size in the OCR geometry (split_tabloid.py); 3-6 of 7; machine-segmented newspaper page; uncorrected Vision OCR.

page 15 of the scan

The appeal of the band lies in the soods of a new kind of music not yet heard in this country, especially given the relationship of an openly ga singer, controversial large following signing up of the group by a giant of the music industry. EMI.

COURTESY The EP. includes four live songs which nave made tae Broup known. Martin Take No For An Answer deal with a reality people can casily understand, while Glad To Be HILARI so They are radical songs, get GLAD TO BE GAY, by the Tom Rohinson Band, has been yo-yoing in the top four of the daily top 10 of Capital Radio's phone-in hit-line in London for over iwo months, writes BRINLEY MITCHELL.

mill cational perhaps songs, a songs are played. - and the The Tom alternative press Rising Free welland Don't overtly political -cate eat. of the strength of the hand, and the he perception of EMI, that these EMI, Robinson Band cal talent. sings for its audience, and the At the forget that. IT EMI will help isolated thers put out their kind music, fine — and it will, since it has detected a potentially Glad To Be Gay when sung in a big sig is a contradictory sight. Here is a gay man. stage, vulnerable in that being La stepping oppressive norms of behaviour; yet powerful in tha is backed by reputation, commercial sumerous followers and musiTom same Koomson a Tea!

gays and informs heterosexuals about the op pression of gay men, ine'

← What the editor fanciedPlaying to the folk →

Something wrong on this page?